I may have been the last person to have done it, but I have finally seen Inception. It was nothing like I thought it would be. Typically I hate psycho-thrillers, but this is the best one I have encountered, that has given me a new appreciation for the genre. Unlike others I have seen, Inception doesn’t solely rely on cheesy suspenseful music, and close-up shots of fear on the actor’s faces. It ignites true anticipation and anxiety rather than a fake imitation of the emotion.
Everyone is all gung-ho about the special effects, but for me it wasn’t even about that. I was pleased and surprised by the plotline-and to me that is the best aspect of the movie. After a constant stream of sequels, prequels, remakes, and cheesy plotlines, to watch a film with an original, unpredictably plot was simply refreshing. I started to suspect some things about the ending and some of my guesses were right, and some were wrong, but the fact that I had to, and wanted to, give my whole attention to every second of the movie was a more exciting than any predictable movie I could watch.
The idea of manipulation during a state of unconscious is not completely new to me. Ideas like studying right before you go to bed, so that the concepts you learned can fully manifest themselves in your mind is an example of this. However, I can’t deny that the idea of someone taking advantage of my sleeping, vulnerable state doesn’t freak me out a bit. Though the concept was well made, including things like your subconscious fighting against an obvious invasion, or the time proportions throughout each stage of a dream. The plotline didn’t have any loose ends, or theories that didn’t make sense in the scheme of things.
The special effects were spectacular. My favorite part is when DiCaprio takes Page dream-sharing for the first time and she folds their environment into a box so that the streets are above her. They didn’t look unrealistic at all, and even though in reality it is too hard for me to conceive, on film, the visual representation of that idea translated perfectly.
The perception of death in this movie is one of the more psychologically disturbing aspects of the movie. The characters tread a fine line between the ideas that killing someone can be inconsequential and that death is an ending of a life. Throughout the film the characters steadily blast away “projections” and yet DiCaprio’s character (who probably kills the most amounts of people in the whole movie) is still reluctant to shoot the projection that is his wife. It was just jarring, mentally, for me to constantly switch back and forth between death not being real, and death causing a lasting emotional impact on the characters. The transitions were smooth in the film, but my mind couldn’t make the switch as easily.
Inception played with my mind, but it didn’t destroy it. I am so tired of psycho-thrillers meant to scare me out of my wits-and nothing else. This particular film addresses the idea of regrets, the fact that putting actions to our thoughts can ultimately alter who we are, and how we should tread carefully when manipulating the thoughts of others. Inception took psycho-thrillers to a new level, one that blended a story that seems so realistic on screen, that I know I couldn’t conceive in my everyday reality. Honestly, I am glad I got to see such a cool movie, I just wished I hadn't watched it so close to my bedtime. Who knows how warped my dreams will be tonight?
Part Two with the recipe comming soon!
Questions? Observations? Suggestions? Post a comment below.
For more information on Inception, check out the IMDB page or the Offical Movie Site.
Part Two with the recipe comming soon!
Questions? Observations? Suggestions? Post a comment below.